Long before I knew what lyrics like, "get into the groove, boy you've got to prove you're love to me", I could feel the "fire" of the music pulsing through my body. Decades later of listening to Madonna and her contemporaries and living life well beyond the "end of the innocence", I know that some of the power of the music is the sensuality in it. Let's face it - I like sex in my music. I just don't like it Lady Ga Ga style. I want the metaphor and the mystery. Watch a belly dancer and you will know there is power in the veil.
My musical tastes range from Mozart to Madonna, from Dvorak to Def Lepard, from Sinatra to Shakira, but I find myself a little picky about my individual song preference. Just as I may not appreciate every word that falls from my favorite poet's pen, a song must get into my veins before it will become a favorite. That said, I haven't loved every song on a Madonna album since the Immaculate Collection. (And I was teenaged enough to love everything on it then.) Lately, I prefer the tribal, the rustic, or the refined - the drum and the violin - and that may be because all of the instant gratification behind the techno beat technology has lead modern musicians to believe baring it all is sexy.
It's not.
Saturday, September 18, 2010
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